Here is some video from the show taken by other people. The sheer amount of skronk in the air was probably about 5 decibels away from being fatal to organic matter. Propelled by a furious drummer, HRAвЂ™s singer/guitar mangler guy belted shit out into a little clip-on popstar microphone, while the saxophonist (and sometime bassist) gave Peter Brotzmann a run for his money in the вЂњplaying so hard you burst a fucking vein in your headвЂќ category of avant horn squealery. For their part, Hiroshima Rocks Around put on a high-energy show that kicked my ass. Suddenly, it was time for the Main Event. How cool is that, right? It occurred to me that these were the people that any stateside unorthodox/noisy/weird punk bands ought to contact if they wanted to play a show in Budapest. NYCвЂ™s The Sightings were booked to play next week, and the RNR 666 people had set their sights on getting Live Fast Die to play. TheyвЂ™d previously got the band Tunnel of Love over here, amongst others. They put on these events under the moniker RNR 666. I also managed to talk to the folks who booked the show. I forget what I told him, but anyway, as I was talking he suddenly fell face-first into the merch table, like kind of like something out of a Buster Keaton movie. In the break before Hiroshima Rocks Around came on, a member of ?вЂ™s extra-hydrated posse demanded to know what I thought of the Dog Faced Hermans. ? is one of those bands that verge on being performance art, and were enthusiastically heckled by a loud group of soused fans.

The band also featured one guy who didnвЂ™t play anything, but instead capered around the front of the stage, showcasing his silent comedy moves and doing disgusting things with a harmonica. For instance, the drummer had a RubikвЂ™s cube mask, and the guitarist guy had bandages wrapped all around his head. I wasnвЂ™t sure what to expect from these guys, and what I got were these hilarious noisy punk tunes by a bunch of people wearing weird masks. вЂњ?вЂќ (a band, not the famed Mysterian) went on next. The first opener, Grip Casino, was a guy who did a solo electric guitar and singing thing, including a nearly indecipherable cover of the FallвЂ™s вЂњHotel Bloedel.вЂќ It was a lotta fun. The show was at Filter club, which is a bar with a secret music venue in the back.

HRA plays a species of weird, noisy thrash stuff that is all too rare in these parts (or anywhere else, really). So last week, when it came to our attention that Italian band Hiroshima Rocks Around were playing a show in Budapest, we set off into the night to find them. The film Blow the Earth in Japan is his first experience as a film director.Dear Reader, we here at The Little Black Egg have found it advisable to get regular doses of Grade A skronk to inoculate ourselves against the mediocre bullshit in life that can fasten itself to you like an invisible lamprey and drain your bodily humors. They started 'Blow the Earth in Japan' in the summer of 2007 and ended in the autumn of 2011. Kondo IMA achieved commercial success but moved to Amsterdam to be alone and to start 'Blow the Earth' in 1993. Kondo cooperated with Bill Laswell to make the album Inamorata in 2007. In 2002, he worked on an international peace festival in Hiroshima after being approached by the Dalai Lama about organizing one. In the mid-1980s he began focusing on his own career, blending his avant-garde origins with electronic music. Returning to Japan, he worked with Ryuichi Sakamoto, Kazumi Watanabe, and Herbie Hancock. A year later he released his first recording, toured Europe with Eugene Chadbourne, and collaborated with European musicians such as Peter Brotzman. In 1978 he moved to New York, and began performing with Bill Laswell, John Zorn, Fred Frith, and Eraldo Bernocchi.

In 1972 the pair left university, and Toshiyuki went on to work with Peter Brook, while Kondo joined Yosuke Yamashita. Kondo attended Kyoto university in 1967, and became close friends with percussionist Tsuchitori Toshiyuki. Toshinori Kondo ( иї‘и—¤ з‰е‰‡, Ehime Prefecture, December 15, 1948) is an avant-garde jazz and jazz fusion trumpeter. It might be some image supported to explain this event. This photo is not describe about event or place exactly.

Peter brotzmann and riyuchi sakamoto